Pablo Picasso - Ceramic Works (The Museum of Modern Art, Saitama)

(Translated by Google Translate)

In 1946 after World War II, he met in a small pottery town of Vallauris Mediterranean visited by chance, then, Picasso, was supposed to be working on pottery in earnest.

Then, in the workshop of Madura workshop of the Vallauris, Picasso created a ceramic works of several thousand points.

Of its vast work, about 100 points approximately, were exhibited at the exhibition of the Museum of Modern Art, Saitama.

However, not where Picasso was made ​​directly from the original Picasso, works the most, that's what craftsmen of Madura studio made.

The ceramic works of Picasso, many times, so far have seen at the museum that bears the name of Picasso.

Though, as a child made​​, molding that looks the childish.

However, I do not know why, but in that childish modeling, no matter how many times you can see, there is something, appeal in the mind.

I think honestly, if I want to go to this exhibition, called, "would not be a Picasso too late" also was not without but, and then trying to eye the work was actually able to meet the new discovery.

The venue, also other than pottery, interesting work, there were several.

Made with the technique of aquatint, a series of bullfighting. And that it was used as illustrations of the autobiography of a bullfighter.

Scenes from the matador et al to admission, cattle until carried away, the entire flow of bullfighting is depicted, such as the black-and-white drawing of Japan though, in the world of only black and white.

Cattle and people, are represented simple really, in a way of the brush tip black. The sense of the distinguished, still, I can feel the "is becoming just such" of this painter.

Made of a lithograph of 18 pieces, of two nude women. Yet the same composition, in a variety of patterns, rough two people are drawn.

Relatively, from the first work that depicts a person decent, its shape is gradually collapsed gradually, in the last work, the "like Picasso" literally, you have to change figures.

Or alternatively, like abandoned the commitment to the final form of the work, to the idea, such as the variation of music, the charm of this painter is felt.

Oh. Why do not I finished, the labyrinth of this painter named Picasso, it seemed to have strayed once again.