(Translated by Google Translate)
Japan, China, and exhibition attracted a masterpiece of Korean ceramics.
From Japan, especially in the collections of the Tokyo National Museum, the Jomon era of flame earthenware, begins to Yayoi pottery, the early modern period of Seto, Shigaraki, Mino, and the Edo era Ogata Korin, Hitokiyo, such as Imari.
Work that can be an overview of the history of Japanese ceramics on display, there was impressive.
From China, China National and collection work of the museum.
Western Han era Haisue, the Tang Dynasty of Tang San Cai, north and south, such as morning era of celadon.
Celadon of the Tang era celadon dragon Mimibin is, 2 dragons is peeping the face from the mouth of the bottle, you are going to drink a drink in, has become a unique shape that.
However, in the exhibit, primary cultural relics nor one that hits the national treasure.
In addition, celadon and the Song Dynasty, such as the Ming and the Qing era Jingdezhen, works that represent the Chinese ceramics have not been exhibited at all.
The current than Japan and reflects the political relations of China? I guess something, but it was content to remain somewhat dissatisfied.
From South Korea, are exhibited the collection work of the National Museum of Korea, the Goryeo Dynasty celadon, Joseon dynasty of white porcelain, blue flowers, etc., there is a piece that symbolizes the flow of Korean ceramics, was enjoyed.
If you say celadon in Japan, and there is a tendency that such a simple shape of the dish or pot is preferred, Korean Celadon, its elaborate decoration is great.
Celadon and that are decorated with milestone of bamboo on the surface, the turtle of the body, such as celadon in the form of stomach strange animal with a dragon's head, suggests the height of the technical capabilities at the time of potters.
In a common frame of ceramics, China, South Korea, each of the uniqueness of Japan was a glimpse, it was the exhibition of interesting content.
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