(Translated by Google)
A modern building is in Yotsuya, Tokyo. There was a Korean Cultural Center. In order to see this exhibition, this time, I visited for the first time.
In the 16th century which has troops in Korea, in the war, people who occupation pottery of many abducted, Toyotomi Hideyoshi, was taken away in Japan.
Lee Santaira that was taken away Nabeshima clan, this exhibition, which focuses on Chin Jyukan officer that was taken away Shimazu clan.
Entered the front entrance of the Korean Cultural Center, the left hand was the venue immediately.
The wall around the venue, and, for the family of the two, such as commentary Arita, of Satsuma porcelain is described in the panel, in the room, ceramic works of about 30 points about was on display.
Locate the soil suitable for ceramic art in the land of Arita, Risan flat that was taken away by the Nabeshima clan, began making pottery in the land.
Seems the 17th century, and was made immediately pottery you started in Arita, a small bowl of two. White, around the vessel casual, rustic brush strokes, flowers are depicted in blue background.
From the place name of the port to make that shipment, is called Imari, eventually, porcelain, that have come to be exported to Europe.
On the other hand, has established residence in the land you have, including the nursery River, while given the status of Shibun, living, officers et al. Taken away Shimazu clan, continued to observe the customs of Korea much in isolation from their surroundings .
World Expo was held in Paris at the end of the samurai period, bathed rave reviews from all over the world, white Satsuma beautiful overglaze enamels Nishikite accounted known to the world the height of its technical capabilities.
It is, as something that descendants of people who came abducted from the Korean Peninsula once made, the people of Europe that praised white Satsuma, must never would have guessed about.
Was made in the 19th century, openwork incense burner. Pattern surrounding beautiful, but the fineness of openwork top and eye-opening unintentionally. In ceramics, that can make things so much, and nothing but surprised.
The work was on display, more than half, was the collections of the Japan Folk Crafts Museum. When considering the ceramics of Korea, and fully realize again, and collect them, the size of the presence of willow Muneyoshi.
Japan and Korea. Two regions that separated the sea, has been colored by always sad event. The in front of such a miracle in the severe circumstances, people are kidnapped, was taken away forcibly, have been achieved, the heart is moved greatly.
It was a really small exhibition but, deep flavor, was the exhibition of the contents unforgettable.
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