When last year, I visited Taiwan, visited the National Palace Museum.
However, the museum is widely. Within the limited time, and no time to enjoy the work of slowly one by one.
In this special exhibition, which was held in Tokyo National Museum in Ueno, work of about 200 points on display, I was able to taste slowly, one one of them.
The exhibition of this time, in a jadeite cabbage on behalf of the National Palace Museum, and will be exhibited only two weeks from the start, in those two weeks, 100,000 people have already visited.
Every day, in order to view Jadeite cabbage, it was possible matrix must wait several hours.
Exhibition of the jadeite cabbage also end, matrix also disappears, and was visited, it was the time of closing upcoming holiday, but it could be seeing up close, the work of all.
In a collection of work called 700 000 points, and choose the 200 points only, the exhibition content, it was felt that a clear theme.
Configuration and crafts, such as pottery and calligraphy Ming thereafter, through the era of the Song Dynasty, the original jade and bronze, from the ancient Tang.
Jadeite cabbage, as well as board Mr. distributed, the book of Wang Xizhi, calligraphy of Emperor, flower view of the far-horse, celadon thy kiln etc., and something that Palace Museum has permitted, the exhibition of this only works each well, Marvel ends up.
In fact, next year, it plans to open a south Institute, Palace Museum is supposed to be as the centerpiece of the open memory, to exhibit the collections of the Tokyo National Museum.
There, a national treasure of Japan was a number of unique and secret so far are included, that is, exchange for each other, special exhibitions such as this miracle was realized.
In such work, and was especially impressed, embroidery and lacquer.
Of the Ming Dynasty, such as a pot or bowl of lacquer. Is that the elaborate carving of the surface, his face is on Sucking and suddenly the glass, literally, I can see painfully.
Not for the costume, embroidery, use to draw a picture in the embroidery, that decorate the wall it.
It is woven into elaborate about landscapes bright ink painting, Buddhist paintings, color, till you close, do not know it at first glance that's embroidery.
Among them, even those reproduced in embroidery, a book of Bei Song.
The work of such embroidery and lacquer, in Palace Museum of Taiwan, and there is not much chance of being displayed. I was able to discover a new aspect of Chinese art.
2014年7月27日日曜日
神品至宝 台北国立故宮博物院展（東京国立博物館）
昨年、台湾を訪れた際に、故宮博物院展を訪れた。
しかし、館内は広く。限られた時間の中では、一つ一つの作品をゆっくり味わう時間など無い。
上野の東京国立博物館で開催されたこの特別展では、およそ200点の作品が展示され、その一つ一つを、ゆっくりと味わうことができた。
今回の企画展では、故宮博物院展を代表する翠玉白菜が、開始から2週間だけ展示されるとあって、その2週間で、すでに10万人が訪れた。
毎日、翠玉白菜を見るために、数時間も待たねばならない行列ができた。
その翠玉白菜の展示も終わり、行列も消え、訪れたのは、休日の閉会間近の時間だったが、全ての作品を、間近で目にすることができた。
70万点という収蔵作品から、わずか200点を選ぶとあって、展示内容には、明確なテーマが感じられた。
古代の青銅器や玉器、唐から宋、元の時代にかけての書画、そして明以降の陶器などの工芸品、といった構成。
翠玉白菜はもとより、散氏盤、王羲之の書、宋の皇帝毅宗の書画、馬遠の花図、汝窯の青磁など、よくぞこれだけの作品の展示を、故宮博物院が許可したものだと、驚嘆してしまう。
実は、故宮博物院は、来年、南院をオープンする予定で、そのオープン記念の目玉として、東京国立博物館の収蔵品を展示することになっている。
そこには、これまで門外不出だった数多くの日本の国宝が含まれており、つまり、お互いの交換条件として、この奇跡のような特別展が実現した。
そうした作品の中で、特に印象深かったのは、漆と刺繍。
明の時代の、漆の器や壷など。その表面の精巧な彫刻に、自分の顔がガラスにピタリと吸い付いていることが、文字通り、痛いほどわかる。
刺繍は、衣装のためのものではなく、刺繍で絵を描き、それを壁に飾るという用途。
水墨画、仏画、色鮮やかな風景画など、近づいてみるまで、それが刺繍だとは一見するとわからないほど精巧に織られている。
中には、宋の米芾の書を、刺繍で再現したものさえある。
そうした漆や刺繍の作品は、台湾の故宮博物院でも、展示される機会はあまりないという。中国美術の新たな一面を発見できた。
2014年7月26日土曜日
Rudolf Steiner Das Reich das Angeloi (The Watari Museum of Contemporary Art)
To know that the exhibition of Watari-um, the beginning, the theme of Steiner, and whether the exhibition of any content, imagination could not tell.
And blackboard picture Steiner drew in a speech of his own, content, was about building, he designed, called the Goetheanum.
Steiner, was also approximately 5,000 times over the lecture through his life. The presentation of several times of them, students paste the black paper on the blackboard, Steiner drew a picture on top of the paper.
Today, blackboard picture of about 1,000 sheets about is left.
After the death of Steiner, its existence was forgotten, but Josef Voice is paying attention to them, then, its presence began to spread to the world.
It's a combination of Voice and Steiner, really cool.
Blackboard picture Steiner, not "good" in any way, but to attract the natural person who sees.
First, the use of color is wonderful. White chalk's basic, but red, blue, yellow, green, and pink, are used in beautiful balance.
There, the relationship of the universe and man, mystery of nature, with the economy and society, such as culture and art, various themes are drawn.
From the rustic blackboard picture, grandeur of thought of a man named Steiner, oozing with nature.
Another exhibition about the theater named the Goetheanum Steiner was designed.
First Goetheanum, which was completed in Dornach, Switzerland in 1920, destroyed by fire immediately after that. In 1928, the Second Getaanumu to remain up to now has been completed.
For primary Goetheanum, photos of the time are on display, for the Second Goetheanum, image taken in conjunction with this exhibition had been washed away.
At first glance, it also looks like the architecture of Gaudi, was the trend at the time, so to speak, its architecture is based on the Art Nouveau style.
Drawn to stained glass for the interior of the Goetheanum, drawings Steiner was also on display.
How to draw a person, I look like a person drawn by Redon. Blackboard same picture, this place rustic flavor.
In Japan today, thought of Steiner is as popular as read its main works in paperback.
As construction of schools that are inherited up to the present, has been practicing Steiner education throughout the world, its architectural style, has been adopted.
And blackboard picture Steiner drew in a speech of his own, content, was about building, he designed, called the Goetheanum.
Steiner, was also approximately 5,000 times over the lecture through his life. The presentation of several times of them, students paste the black paper on the blackboard, Steiner drew a picture on top of the paper.
Today, blackboard picture of about 1,000 sheets about is left.
After the death of Steiner, its existence was forgotten, but Josef Voice is paying attention to them, then, its presence began to spread to the world.
It's a combination of Voice and Steiner, really cool.
Blackboard picture Steiner, not "good" in any way, but to attract the natural person who sees.
First, the use of color is wonderful. White chalk's basic, but red, blue, yellow, green, and pink, are used in beautiful balance.
There, the relationship of the universe and man, mystery of nature, with the economy and society, such as culture and art, various themes are drawn.
From the rustic blackboard picture, grandeur of thought of a man named Steiner, oozing with nature.
Another exhibition about the theater named the Goetheanum Steiner was designed.
First Goetheanum, which was completed in Dornach, Switzerland in 1920, destroyed by fire immediately after that. In 1928, the Second Getaanumu to remain up to now has been completed.
For primary Goetheanum, photos of the time are on display, for the Second Goetheanum, image taken in conjunction with this exhibition had been washed away.
At first glance, it also looks like the architecture of Gaudi, was the trend at the time, so to speak, its architecture is based on the Art Nouveau style.
Drawn to stained glass for the interior of the Goetheanum, drawings Steiner was also on display.
How to draw a person, I look like a person drawn by Redon. Blackboard same picture, this place rustic flavor.
In Japan today, thought of Steiner is as popular as read its main works in paperback.
As construction of schools that are inherited up to the present, has been practicing Steiner education throughout the world, its architectural style, has been adopted.
ルドルフ・シュタイナー展 天使の国（ワタリウム）
ワタリウムの企画展のことを知り、始めは、シュタイナーをテーマに、どんな内容の展覧会なのか、想像がつかなかった。
内容は、シュタイナーが自らの講演で描いた黒板絵と、彼が設計した、ゲーテアヌムという建物、についてだった。
シュタイナーは、その生涯を通じておよそ5,000回もにわたる講演を行った。そのうちの何回かの講演では、生徒が黒板に黒い紙を貼り、シュタイナーがその紙の上に絵を描いた。
今日、およそ1,000枚ほどの黒板絵が残されている。
シュタイナーの死後、その存在は忘れられていたが、ヨゼフ・ボイスがそれらに注目し、その後、その存在が世間に広まっていった。
ボイスとシュタイナー、実にクールな組み合わせだ。
シュタイナーの黒板絵は、決して”上手”ではないが、見る者を自然と引きつける。
まず、その色使いが素晴らしい。白いチョークが基本だが、赤、青、黄、緑、ピンクなどが、美しいバランスで使われている。
そこには、人間と宇宙の関係、自然の神秘、経済と社会に付いて、文化や芸術など、様々なテーマが描かれている。
シュタイナーという人物の思想の壮大さが、素朴な黒板絵の中から、自然とにじみ出ている。
もうひとつは、シュタイナーが設計したゲーテアヌムという劇場についての展示。
1920年にスイスのドルナッハに完成した第1次ゲーテアヌムは、その直後に火災で焼失。1928年に、現在まで残る第2次ゲータアヌムが完成した。
第1次ゲーテアヌムについては、当時の写真が展示され、第2次ゲーテアヌムについては、この展覧会に合わせて撮影された映像が流されていた。
その建築は、一見すると、ガウディの建築のようにも見え、当時のいわばトレンドだった、アールヌーボー様式を踏まえている。
そのゲーテアヌムの内部のステンドグラス用に描いた、シュタイナーのデッサンも展示されていた。
人物の描き方は、ルドンの描く人物のように見える。こちらも黒板絵同様、素朴な趣き。
シュタイナーの思想は、現在の日本でも、文庫本でその主要な著作が読めるほど普及している。
その建築スタイルも、現在に至るまで継承され、世界中にあるシュタイナー教育を実践している学校の建築として、採用されている。
2014年7月21日月曜日
Guess what? Hardcore Contemporary Art’s Truly a World Treasure (The National Museum of Modern Art, Tokyo)
(Translated by Google Translate)
Exhibition of the works of contemporary art collection of Yageo Foundation of Taiwan.
The Yageo Foundation, in the Foundation run by Pierre Chen to run a company of electronic products in Taiwan, real private collection of Mr.. Mr. Chen, collector, which is ranked in the top 10 in the world.
Come to think of it, this place, it is often seen the exhibition to showcase the work of private collectors, but would also say in these circumstances, that this is the most luxurious.
The work list that had been placed at the entrance of the exhibition hall, a unique game was on in the bonus.
Of its game, and from those in the work of 20, which is specified in the exhibited works, so as not to exceed the 5 billion yen, and that, to select up to 5 points.
As symbolized in this game, in this exhibition, also about the price of contemporary art work, and introduces the rate of each artist.
Work of artists who boast what one billion yen or more, Andy Warhol, Francis Bacon, and Mark Rothko, the contract price is lined.
Among the exhibited works, and because it was seen several points works of writers recently, was interested, I was very happy.
Gerhard Richter. 3-point and three-point paintings to represent the style, as shown in the photo that was timeworn, the series of abstract paintings, works great bright colors.
For me, the work of blue Bridgestone Museum of Art, Zhao-Wookey is inscribed and clearly in the memory, but in this exhibition, not a blue, black, light yellow, and green, another color it was Wookey purchase of the works of the three points with a.
Chen said he and decorate as it is at home, such a work. Work in the room of the home was also on display some.
Was also used in the flyer of this exhibition, works of Mark Quinn with the impact. Kate Moss of the model, has been the hardcore Ekisesaizu of yoga. Two points work of about 30 cm in height. I'm made of 18-karat gold all.
Gold top model, and yoga,. Both miso's using the material to symbolize the money you can put into the modern society.
At the entrance of the museum, it is not a 18-karat gold as might be expected, but the huge version are on display. The magnitude of the impact is intense. The work, what I do not need explanation.
Sometimes it is collector of Taiwan, works of writers of China and Taiwan often. That Mitomo, writer of Sichuan of China from the rustic style of painting is dead already, but that is sold at about 800 million yen in the current.
By the way, Fujita the same period, to say that he more nearly 100 million yen.
To the viewer, who works contemporary art expensive, from the collection of one of the world's best is, to think, the relationship between the price and the value of art.
I have seen so far, among the various exhibitions, especially impressive, was the exhibition of what remains in my mind.
Exhibition of the works of contemporary art collection of Yageo Foundation of Taiwan.
The Yageo Foundation, in the Foundation run by Pierre Chen to run a company of electronic products in Taiwan, real private collection of Mr.. Mr. Chen, collector, which is ranked in the top 10 in the world.
Come to think of it, this place, it is often seen the exhibition to showcase the work of private collectors, but would also say in these circumstances, that this is the most luxurious.
The work list that had been placed at the entrance of the exhibition hall, a unique game was on in the bonus.
Of its game, and from those in the work of 20, which is specified in the exhibited works, so as not to exceed the 5 billion yen, and that, to select up to 5 points.
As symbolized in this game, in this exhibition, also about the price of contemporary art work, and introduces the rate of each artist.
Work of artists who boast what one billion yen or more, Andy Warhol, Francis Bacon, and Mark Rothko, the contract price is lined.
Among the exhibited works, and because it was seen several points works of writers recently, was interested, I was very happy.
Gerhard Richter. 3-point and three-point paintings to represent the style, as shown in the photo that was timeworn, the series of abstract paintings, works great bright colors.
For me, the work of blue Bridgestone Museum of Art, Zhao-Wookey is inscribed and clearly in the memory, but in this exhibition, not a blue, black, light yellow, and green, another color it was Wookey purchase of the works of the three points with a.
Chen said he and decorate as it is at home, such a work. Work in the room of the home was also on display some.
Was also used in the flyer of this exhibition, works of Mark Quinn with the impact. Kate Moss of the model, has been the hardcore Ekisesaizu of yoga. Two points work of about 30 cm in height. I'm made of 18-karat gold all.
Gold top model, and yoga,. Both miso's using the material to symbolize the money you can put into the modern society.
At the entrance of the museum, it is not a 18-karat gold as might be expected, but the huge version are on display. The magnitude of the impact is intense. The work, what I do not need explanation.
Sometimes it is collector of Taiwan, works of writers of China and Taiwan often. That Mitomo, writer of Sichuan of China from the rustic style of painting is dead already, but that is sold at about 800 million yen in the current.
By the way, Fujita the same period, to say that he more nearly 100 million yen.
To the viewer, who works contemporary art expensive, from the collection of one of the world's best is, to think, the relationship between the price and the value of art.
I have seen so far, among the various exhibitions, especially impressive, was the exhibition of what remains in my mind.
現代美術のハードコアはじつは世界の宝である展（東京国立近代美術館）
台湾のヤゲオ財団コレクションの現代アートの作品を展示した企画展。
ヤゲオ財団とは、台湾の電子製品の会社を経営するピエール・チェン氏の経営する財団で、実質は氏の個人コレクション。チェン氏は、世界でのトップ10にランクされるコレクター。
そういえば、このところ、個人のコレクターの作品を展示する企画展をよく目にするが、これは、そうした中でも、最も豪華なものと言えるだろう。
展示会場の入口に置かれていた作品リストには、ユニークなゲームがおまけでついていた。
そのゲームとは、展示作品の中の指定された20の作品の中から、50億円を超えないように、5点までを選択する、というもの。
このゲームに象徴されるように、この企画展では、現代アート作品の価格についても、各作家の相場を紹介している。
アンディ・ウォーホール、フランシス・ベーコン、マーク・ロスコ、という何十億円以上、という落札価格を誇る作家たちの作品が並ぶ。
展示作品の中に、最近、興味があった作家の作品が何点か見れたので、大満足だった。
ゲルハルト・リヒター。その作風を代表する、古ぼけた写真のように描かれた絵画3点と、抽象絵画というシリーズの、大きな色鮮やかな作品が3点。
ザオ・ウーキーは、私にとっては、ブリヂストン美術館の青色の作品が、記憶の中にクッキリと刻み込まれているが、この展覧会では、青ではない、黒、うす黄色、緑などの、別な色をもった3点の作品のウーキーがいた。
チェン氏は、そうした作品を、自宅にそのまま飾っているという。自宅の室内の作品もいくつか展示されていた。
この展覧会のちらしにも使われた、インパクトのあるマーク・クインの作品。モデルのケート・モスが、ヨガのハードコアをエキセサイズしている。高さ30㎝ほどの作品が2点。すべて18金でできている。
トップモデル、ヨガ、そしてゴールド。いずれも、現代社会に置けるマネーを象徴する素材を使っているのがミソ。
台湾のコレクターということもあり、中国や台湾の作家の作品も多い。サンユウという、素朴な画風の中国の四川省出身の作家は、すでに亡くなっているが、現在ではおよそ8億円で落札されるという。
ちなみに、ほぼ同時代の藤田嗣治は、1億円ほどだと言う。
高価な、世界屈指のコレクションからの現代アートの作品たちは、見る者に、アートとその価値と価格の関係を、考えさせる。
これまでに見てきた、様々な展覧会の中でも、とりわけ印象深い、心に残る内容の展覧会だった。
Looking East: Western Artists and the Allure of Japan from the Museum of Fine Arts, Boston (Setagaya Art Museum)
(Translated by Google Translate)
By the collections of the Museum of Fine Arts, Boston is known for rich collection of Japanese art, exhibition on the theme of Japonism.
Highlight of the exhibition, La Japonezu of Monet. Recently, and that he just finished the repair.
The theme of Japonism,, as I always say, in a production introduction, art books and on TV, work which I have seen time and time again.
Surprisingly, it is a huge piece 2.3 meters length, 1.4 meters of side, in the back most of the special room, the real thing, are on display reverently.
Red color is bright, it'll wait a kimono figure of the samurai was embroidered beautifully, wife of Monet, Camille. In her hand, fans have been opened, the wall behind, decorated and ukiyo-e, a number of fans are arranged.
Literally, colored by Japan hobby, brilliant work. But depending on how you look at it, I mean have no principles a little, can be called the bad taste.
In later years, for this work, Monet himself, that was not very good evaluation.
From Japan of the early Meiji period, composition of ukiyo-e, which was transmitted to Europe, had a major impact on painters who had been active in Paris at the time. Seems work Lautrec, Van Gogh, Bernard, Denis, Renoir et al, became the reference, are on display alongside the ukiyo-e.
And thus will be exhibited side by side, the effect is obvious. It also is said or rather stole almost, and mimicry, as the allow of no excuse.
Among them, there is not associated with words such as Matisse and Munch, much of Japonism, also works of surprising writer.
Landscape that appears in the picture of Munch, the trees along the lake are lined. Colorful paintings planar of Matisse. They, that there is influence of ukiyo-e clearly.
At the end of the hall, water lilies of Monet was exhibited. It does not appear to look closely approaching, just chunks of paint is only as Simply put.
If you look at the picture at a distance, without a doubt, water lilies of Monet appears. Though, it is even like a magic.
If you have arrived at such a frontier, from Monet in his later years, works painted in his youth, called La Japonezu might seemed to work worthless.
By the collections of the Museum of Fine Arts, Boston is known for rich collection of Japanese art, exhibition on the theme of Japonism.
Highlight of the exhibition, La Japonezu of Monet. Recently, and that he just finished the repair.
The theme of Japonism,, as I always say, in a production introduction, art books and on TV, work which I have seen time and time again.
Surprisingly, it is a huge piece 2.3 meters length, 1.4 meters of side, in the back most of the special room, the real thing, are on display reverently.
Red color is bright, it'll wait a kimono figure of the samurai was embroidered beautifully, wife of Monet, Camille. In her hand, fans have been opened, the wall behind, decorated and ukiyo-e, a number of fans are arranged.
Literally, colored by Japan hobby, brilliant work. But depending on how you look at it, I mean have no principles a little, can be called the bad taste.
In later years, for this work, Monet himself, that was not very good evaluation.
From Japan of the early Meiji period, composition of ukiyo-e, which was transmitted to Europe, had a major impact on painters who had been active in Paris at the time. Seems work Lautrec, Van Gogh, Bernard, Denis, Renoir et al, became the reference, are on display alongside the ukiyo-e.
And thus will be exhibited side by side, the effect is obvious. It also is said or rather stole almost, and mimicry, as the allow of no excuse.
Among them, there is not associated with words such as Matisse and Munch, much of Japonism, also works of surprising writer.
Landscape that appears in the picture of Munch, the trees along the lake are lined. Colorful paintings planar of Matisse. They, that there is influence of ukiyo-e clearly.
At the end of the hall, water lilies of Monet was exhibited. It does not appear to look closely approaching, just chunks of paint is only as Simply put.
If you look at the picture at a distance, without a doubt, water lilies of Monet appears. Though, it is even like a magic.
If you have arrived at such a frontier, from Monet in his later years, works painted in his youth, called La Japonezu might seemed to work worthless.
ボストン美術館 華麗なるジャポニズム展（世田谷美術館）
豊富な日本美術品のコレクションで知られるボストン美術館の収蔵品による、ジャポニズムをテーマにした展覧会。
展覧会の目玉は、モネのラ・ジャポネーズ。つい最近、修復を終えてばかりだという。
ジャポニズム、というテーマでは、かならずといっていいほど、紹介される作品で、画集やテレビで、何度となく目にしてきた作品。
実物は、意外にも、縦2.3メートル、横1.4メートル、という巨大な作品で、特別ルームの一番奥に、うやうやしく展示されている。
赤い色が鮮やかで、武士の姿が見事に刺繍された和服をまとう、モネの妻、カミーユ。その手には、扇子が開かれており、後ろの壁には、浮世絵などをあしらった、数々の団扇が並べられている。
文字通り、日本趣味に彩られた、華麗な作品。でも見方を変えれば、ちょっと節操がないというか、悪趣味とも言える。
モネ自身も、後年は、この作品について、あまり良い評価はしていなかったという。
明治初期の日本から、ヨーロッパに伝えられた浮世絵の構図は、当時のパリで活躍していた画家たちに大きな影響を与えた。ロートレック、ゴッホ、ベルナール、ドニ、ルノワールらの作品が、その参考になったと思われる、浮世絵と並べて展示されている。
そうして並べて展示されると、その影響は歴然。ほとんどパクリというか、モノマネといわれても、言い訳のしようがないほど。
中には、ムンクやマチスなど、あまりジャポニズムという言葉と結びつかない、意外な作家の作品もある。
ムンクの絵の中に登場する、湖沿いの木々が並んだ風景。マチスの平面的なカラフルな絵画。それらは、明らかに浮世絵の影響があるという。
会場の最後には、モネの睡蓮が展示されていた。近づいていよく見ると、ただ単に絵具の固まりが置かれているようにしか見えない。
少し離れてその絵を見ると、紛れも無い、モネの睡蓮が表れる。それは、まるで、魔法のようでさえある。
そうした境地にたどり着いた、晩年のモネからすれば、若き日に描いた、ラ・ジャポネーズという作品は、価値のない作品に思えたのかもしれない。
2014年7月20日日曜日
Edo Monsters Encyclopedia (Ukiyoe Ota Museum of Art)
(Translated by Google Translate)
Tucked right in the middle of Tokyo, Harajuku, on the back of Softbank, Ukiyo-e Ota Memorial Museum of Art.
Every year, in the summer, a special exhibition will be held in the theme of the ukiyo-e specter or ghost.
This year, entitled Edo Great Yokai Encyclopedia, divided into 3 parts of every month, the July to September, it has been carried out in the theme monster, ghost, the, use witchcraft.
First of all, to monster editing of Part 1.
Was surprised at first to enter the venue, the congestion swing. Holiday, yet there is also that the location that Harajuku, I was able to long column seeking ticket.
In the work, there was a presence the most, was still Kuniyoshi.
Famous scene in the camellia Yumiharizuki theory. Met with a storm when you are across the sea, scene is the use of Sutokuin, Tengu would come to salvation, the Hachiman Taro Tametomo was prepared for death.
In a large ocean wave is standing rough, huge fish covers the screen, Tengu of some that have been used to Sutokuin is, trying to rescue the Tametomo from rough seas.
Other, or those depicting monsters countless, cat monster, such as Tsuchigumo, grotesque, but the figure of monster who are humorous somewhere, where is the world of Kuniyoshi and explosion,.
Is said to be the father of ukiyo-e, Hishikawa Moronobu famous for its beauty also return, had to leave the Ukiyo-e monster many surprisingly.
Composition of Moronobu depicting the demon of Rashomon is, composition of whale to Watanabe rope from the top of the gate.
It inherits the composition basically, it was followed by Moronobu, Utagawa Kuniyoshi, Tsukioka Yoshitoshi, et al Torii Kiyoshibai, and Katsukawa Shunsho, also adds that the original expression.
The picture related to Hokusai, painter Katsushika school drew, called Dodo Meoni, literally, eye is attached to the body, a mysterious monster is depicted.
Leave the image, such as unforgettable once seen, a strong impression. It would Kangu~tsu involuntarily and, or not than there was some impact from the Hokusai.
Even when you left the venue, nearly ran a lot of people that came to visit just.
Tucked right in the middle of Tokyo, Harajuku, on the back of Softbank, Ukiyo-e Ota Memorial Museum of Art.
Every year, in the summer, a special exhibition will be held in the theme of the ukiyo-e specter or ghost.
This year, entitled Edo Great Yokai Encyclopedia, divided into 3 parts of every month, the July to September, it has been carried out in the theme monster, ghost, the, use witchcraft.
First of all, to monster editing of Part 1.
Was surprised at first to enter the venue, the congestion swing. Holiday, yet there is also that the location that Harajuku, I was able to long column seeking ticket.
In the work, there was a presence the most, was still Kuniyoshi.
Famous scene in the camellia Yumiharizuki theory. Met with a storm when you are across the sea, scene is the use of Sutokuin, Tengu would come to salvation, the Hachiman Taro Tametomo was prepared for death.
In a large ocean wave is standing rough, huge fish covers the screen, Tengu of some that have been used to Sutokuin is, trying to rescue the Tametomo from rough seas.
Other, or those depicting monsters countless, cat monster, such as Tsuchigumo, grotesque, but the figure of monster who are humorous somewhere, where is the world of Kuniyoshi and explosion,.
Is said to be the father of ukiyo-e, Hishikawa Moronobu famous for its beauty also return, had to leave the Ukiyo-e monster many surprisingly.
Composition of Moronobu depicting the demon of Rashomon is, composition of whale to Watanabe rope from the top of the gate.
It inherits the composition basically, it was followed by Moronobu, Utagawa Kuniyoshi, Tsukioka Yoshitoshi, et al Torii Kiyoshibai, and Katsukawa Shunsho, also adds that the original expression.
The picture related to Hokusai, painter Katsushika school drew, called Dodo Meoni, literally, eye is attached to the body, a mysterious monster is depicted.
Leave the image, such as unforgettable once seen, a strong impression. It would Kangu~tsu involuntarily and, or not than there was some impact from the Hokusai.
Even when you left the venue, nearly ran a lot of people that came to visit just.
江戸妖怪大図鑑 第1部（浮世絵太田記念美術館）
東京、原宿のど真ん中、ソフトバンクの裏側にひっそりと佇む、浮世絵太田記念美術館。
毎年、夏になると、お化けや妖怪の浮世絵をテーマにして特別展が開かれる。
今年は、江戸妖怪大図鑑と題し、7月から9月までを、1ヶ月ごとの3部に分けて、化け物、幽霊、妖術使い、をテーマにして実施された。
まずは、第1部の化け物編へ。
会場に入ってまず驚かされたのは、その混雑振り。休日で、しかも場所が原宿ということもあり、チケットを求める長い列ができていた。
女性の姿が多い。親子や友達通しで、おどろおどろしい化け物の浮世絵の前で、女性らしい、直感的な感想をひそひそ声でもらしている。外国人の姿もところどころ見受けられる。
作品の中で、最も存在感があったのは、やはり国芳だった。
椿説弓張月の中の有名なシーン。海を渡っている際に嵐に遭い、死を覚悟した八幡太郎為朝を、崇徳院の使いである、天狗たちが救いにくる、というシーン。
荒れて大きな波が立っている海原で、巨大な魚が画面を覆っており、崇徳院に使わされた何人かの天狗が、荒波から為朝を救い出そうとしている。
他にも、無数の妖怪たちを描いたものや、化け猫、土蜘蛛など、グロテスクだが、どこかユーモラスな化け物たちの姿は、国芳の世界が炸裂、といったところ。
浮世絵の祖と言われる、見返り美人で有名な菱川師宣も、意外にも多くの化け物の浮世絵を残していた。
羅生門の鬼を描いた師宣の構図は、門の上から渡邊綱に襲いかかるという構図。
師宣に続いた、鳥居清倍、勝川春章、そして歌川国芳、月岡芳年らも、基本的にはその構図を継承し、それに独自の表現を付け加えている。
北斎に関係する、葛飾派の絵師が描いた、百々眼鬼という絵には、文字通り、体中に眼が付いている、不思議な化け物が描かれている。
一度見たら忘れられないような、強烈な印象を残すそのイメージ。北斎からの何らかの影響があったのではないか、と思わず勘ぐってしまう。
会場を後にする時にも、ちょうど見学に訪れた多くの人とすれ違った。まるで、江戸時代の賑わいを目にするようだった。
TESSAI (Idemitsu Museum of Art)
(Translated by Google Translate)
For some time, that of Tessai, was very interested.
The work, so far, in several exhibitions of Japanese paintings, was that I saw several points, but in this exhibition of the Idemitsu Museum of Arts, I was able to fit taste a number of works that together .
As is said to literati painter, last, drawn in black-and-white, many of literati painting typical work just to be able to enjoy obediently.
Cattle of 10 or more animals, in a forest in the peach tree-lined in their own way, Houshi Momo-rin view of the two bi-six songs, is depicted.
Ten cow diagram of Zen is represented using a cow stage of enlightenment, but with as parody the cattle, work of this Tessai is, have drawn with various expressions and poses, the cow of plenty , I suggests humor center of Tessai.
The hanging scroll depicting the landscape of Gosansa around Akie saint that figure, Noriyuki Akie saint old Roh spent, in the green of the trees, Sprinkle in places the red of autumn leaves, you have created a beautiful world.
The work of Tessai, there is work to be painted using the style of painting it, or painted Urakami Gyokudo, Tano village Takeda, ride Shokado Akira, the literati painting of the Edo period.
They left their hometown, and or living in the town, our writers of such Edo period, had been living minus the clear distinction and power.
However, Tessai was not the case.
When the Meiji Restoration, Tessai was born in Kyoto, Edo period, was 33 years old.
Then, while being a Confucian, he was the chief priest of the shrine, such as Ishigami, official rank is also given. The be referred to as writers, such a person to feel a slight resistance.
Obviously, Tessai was the person in the system side.
Tessai himself, would have been longing the lives of our writers of the Edo period. However, living on his own, was not the case. To the hilt, he was immersed in the real world.
After coming to know the life of such Tessai, looking at his work, among them, the world Urakami Gyokudo, of Tano village Takeda et al he was longing, it was not delivered by all means, such a sad world, is drawn it seemed to have.
For some time, that of Tessai, was very interested.
The work, so far, in several exhibitions of Japanese paintings, was that I saw several points, but in this exhibition of the Idemitsu Museum of Arts, I was able to fit taste a number of works that together .
As is said to literati painter, last, drawn in black-and-white, many of literati painting typical work just to be able to enjoy obediently.
Cattle of 10 or more animals, in a forest in the peach tree-lined in their own way, Houshi Momo-rin view of the two bi-six songs, is depicted.
Ten cow diagram of Zen is represented using a cow stage of enlightenment, but with as parody the cattle, work of this Tessai is, have drawn with various expressions and poses, the cow of plenty , I suggests humor center of Tessai.
The hanging scroll depicting the landscape of Gosansa around Akie saint that figure, Noriyuki Akie saint old Roh spent, in the green of the trees, Sprinkle in places the red of autumn leaves, you have created a beautiful world.
The work of Tessai, there is work to be painted using the style of painting it, or painted Urakami Gyokudo, Tano village Takeda, ride Shokado Akira, the literati painting of the Edo period.
They left their hometown, and or living in the town, our writers of such Edo period, had been living minus the clear distinction and power.
However, Tessai was not the case.
When the Meiji Restoration, Tessai was born in Kyoto, Edo period, was 33 years old.
Then, while being a Confucian, he was the chief priest of the shrine, such as Ishigami, official rank is also given. The be referred to as writers, such a person to feel a slight resistance.
Obviously, Tessai was the person in the system side.
Tessai himself, would have been longing the lives of our writers of the Edo period. However, living on his own, was not the case. To the hilt, he was immersed in the real world.
After coming to know the life of such Tessai, looking at his work, among them, the world Urakami Gyokudo, of Tano village Takeda et al he was longing, it was not delivered by all means, such a sad world, is drawn it seemed to have.
鉄斎（出光美術館）
鉄斎のことは、かねてから、とても興味を持っていた。
その作品は、これまでに、日本画のいくつかの展覧会で、何点か目にしたことがあったが、出光美術館のこの展覧会で、まとまった数の作品を味合うことが出来た。
最後の文人画家、と言われる通り、水墨で描かれた、典型的な文人画の数々は、素直に楽しめる作品ばかり。
6曲2双の放牛桃林図は、10頭以上の牛が、思い思いに桃の木が立ち並ぶ林の中に、描かれている。
禅の十牛図は、悟りの段階を牛を使って表しているが、この鉄斎の作品は、その牛をパロディのように使って、沢山の牛を、いろいろなポーズや表情で描いていて、鉄斎のユーモア心がうかがえる。
明恵上人旧盧之図、という明恵上人が過ごした高山寺周辺の風景を描いた掛け軸では、木々の緑の中に、紅葉の紅をところどころに散らして、美しい世界を作り出している。
鉄斎の作品には、浦上玉堂、田能村竹田、松花堂昭乗ら、江戸時代の文人画を描いた、あるいはその画風を使って描いた作品がある。
そうした江戸時代の文人たちは、脱藩したり、町に暮らしたりと、権力とは一線を引いた生活を送っていた。
しかし、鉄斎は、そうではなかった。
幕末の京都に生まれた鉄斎は、明治維新の時は、33才だった。
その後、儒者でありながら、石上神社などの宮司を務め、官位も与えられた。そのような人物を、文人と呼ぶことには、少し抵抗を感じする。
明らかに、鉄斎は、体制側にいる人間だった。
鉄斎自身は、玉堂のような、江戸時代の文人たちの暮らしに憧れていたのだろう。しかし、彼自身の暮らしは、そうではなかった。どっぷりと、俗世間に浸かっていた。
そうした鉄斎の生涯を知った後で、彼の作品を見ると、その中には、彼が憧れた浦上玉堂、田能村竹田らの世界には、どうしても届けなかった、そんな悲しい世界が、描かれているように思えた。
その作品は、これまでに、日本画のいくつかの展覧会で、何点か目にしたことがあったが、出光美術館のこの展覧会で、まとまった数の作品を味合うことが出来た。
最後の文人画家、と言われる通り、水墨で描かれた、典型的な文人画の数々は、素直に楽しめる作品ばかり。
6曲2双の放牛桃林図は、10頭以上の牛が、思い思いに桃の木が立ち並ぶ林の中に、描かれている。
禅の十牛図は、悟りの段階を牛を使って表しているが、この鉄斎の作品は、その牛をパロディのように使って、沢山の牛を、いろいろなポーズや表情で描いていて、鉄斎のユーモア心がうかがえる。
明恵上人旧盧之図、という明恵上人が過ごした高山寺周辺の風景を描いた掛け軸では、木々の緑の中に、紅葉の紅をところどころに散らして、美しい世界を作り出している。
鉄斎の作品には、浦上玉堂、田能村竹田、松花堂昭乗ら、江戸時代の文人画を描いた、あるいはその画風を使って描いた作品がある。
そうした江戸時代の文人たちは、脱藩したり、町に暮らしたりと、権力とは一線を引いた生活を送っていた。
しかし、鉄斎は、そうではなかった。
幕末の京都に生まれた鉄斎は、明治維新の時は、33才だった。
その後、儒者でありながら、石上神社などの宮司を務め、官位も与えられた。そのような人物を、文人と呼ぶことには、少し抵抗を感じする。
明らかに、鉄斎は、体制側にいる人間だった。
鉄斎自身は、玉堂のような、江戸時代の文人たちの暮らしに憧れていたのだろう。しかし、彼自身の暮らしは、そうではなかった。どっぷりと、俗世間に浸かっていた。
そうした鉄斎の生涯を知った後で、彼の作品を見ると、その中には、彼が憧れた浦上玉堂、田能村竹田らの世界には、どうしても届けなかった、そんな悲しい世界が、描かれているように思えた。
2014年7月13日日曜日
Beautiful Clerical Script (Calligraphy Museum)
Get off the JR Uguisudani Station, leave the love hotel district, while passing a couple that has finished love affair, toward the calligraphy museum.
Exhibition named "Beautiful Clerical Script". Masterpieces of Clerical Script with a focus on the age of the Han Chinese are aligned, exhibition of what unbearable calligraphy fan.
The large display case at the back of the first floor, and rubbings Kokaidoo monument of the era of Goguryeo. Anyway, overwhelmed by its size.
And around what is written there, controversy is not extinct yet, but if you focus on the characters that are written there, there is a simple taste, which boasts the presence of free from such controversy.
Is Qin Shi Huang who united world, time stones were made throughout the country. Currently, only two are left, but one of them, rubbings of Taishan stone time.
Characters in Chinese history, unified for the first time have been engraved there.
Character that Singh, has a square shape by now, but in the rubbings, square around is depicted as a circle round.
Of age of Later Han, history Memorial, rear monument. Such as crushed from above, a unique character of the landscape is rubbing impressive.
It is placed Qianlong of Qing has edited, at the beginning of Miki Dojo a collection of Meihitsu, rubbings Komokijika table. Advised manual of the senior statesmen of Wei of the Three Kingdoms Period.
As well as a masterpiece of writing, they are also the witness of history.
By chance, when I read the chapter of Reisho "The Chinese written history says preach" Ishikawa Kyuyou, many of rubbings that were introduced with photos as Reisho a typical, were on display at this exhibition.
Surrounded by the love hotel, a small museum, terrible things we have in the collections.
Exhibition named "Beautiful Clerical Script". Masterpieces of Clerical Script with a focus on the age of the Han Chinese are aligned, exhibition of what unbearable calligraphy fan.
The large display case at the back of the first floor, and rubbings Kokaidoo monument of the era of Goguryeo. Anyway, overwhelmed by its size.
And around what is written there, controversy is not extinct yet, but if you focus on the characters that are written there, there is a simple taste, which boasts the presence of free from such controversy.
Is Qin Shi Huang who united world, time stones were made throughout the country. Currently, only two are left, but one of them, rubbings of Taishan stone time.
Characters in Chinese history, unified for the first time have been engraved there.
Character that Singh, has a square shape by now, but in the rubbings, square around is depicted as a circle round.
Of age of Later Han, history Memorial, rear monument. Such as crushed from above, a unique character of the landscape is rubbing impressive.
It is placed Qianlong of Qing has edited, at the beginning of Miki Dojo a collection of Meihitsu, rubbings Komokijika table. Advised manual of the senior statesmen of Wei of the Three Kingdoms Period.
As well as a masterpiece of writing, they are also the witness of history.
By chance, when I read the chapter of Reisho "The Chinese written history says preach" Ishikawa Kyuyou, many of rubbings that were introduced with photos as Reisho a typical, were on display at this exhibition.
Surrounded by the love hotel, a small museum, terrible things we have in the collections.
美しい隷書（書道博物館）
JR鶯谷駅を降り、ラブホテル街を抜け、情事を終えたカップルとすれ違いながら、書道博物館へ向かう。
”美しい隷書”という名の企画展。中国の漢の時代を中心とした隷書の名品が揃った、書道ファンには堪らない内容の展覧会。
1階の奥の大型展示ケースには、高句麗の時代の広開土王碑の拓本。とにかく、その大きさに圧倒される。
そこに書かれている内容を巡って、未だに論争が絶えないが、そこに書かれている文字に注目すると、素朴な味わいがあり、そうした論争とは無縁の存在感を誇っている。
天下を統一した始皇帝が、全土に作らせた刻石。現在は、2つだけが残っているが、そのうちの1つ、泰山刻石の拓本。
中国の歴史で、初めて統一された文字が、そこには刻まれている。
臣という字は、今では四角い形をしているが、その拓本では、周りの四角は、丸い円のように描かれている。
後漢の時代の、史晨前碑、後碑。上からつぶしたような、横長の個性的な文字が印象的な拓本。
清の乾隆帝が編集した、名筆を集めた三希堂帖の冒頭に置かれた、薦季直表の拓本。三国時代の魏の重臣の進言書。
それらは、書の名品であると同時に、歴史の証人でもある。
たまたま、石川九楊の『説き語り 中国書史』の隷書の章を読んでいたら、代表的な隷書として写真付きで紹介されていた拓本の多くが、この企画展で展示されていた。
このラブホテルに囲まれた、小さな博物館には、もの凄いものたちが、収蔵されている。
”美しい隷書”という名の企画展。中国の漢の時代を中心とした隷書の名品が揃った、書道ファンには堪らない内容の展覧会。
1階の奥の大型展示ケースには、高句麗の時代の広開土王碑の拓本。とにかく、その大きさに圧倒される。
そこに書かれている内容を巡って、未だに論争が絶えないが、そこに書かれている文字に注目すると、素朴な味わいがあり、そうした論争とは無縁の存在感を誇っている。
天下を統一した始皇帝が、全土に作らせた刻石。現在は、2つだけが残っているが、そのうちの1つ、泰山刻石の拓本。
中国の歴史で、初めて統一された文字が、そこには刻まれている。
臣という字は、今では四角い形をしているが、その拓本では、周りの四角は、丸い円のように描かれている。
後漢の時代の、史晨前碑、後碑。上からつぶしたような、横長の個性的な文字が印象的な拓本。
清の乾隆帝が編集した、名筆を集めた三希堂帖の冒頭に置かれた、薦季直表の拓本。三国時代の魏の重臣の進言書。
それらは、書の名品であると同時に、歴史の証人でもある。
たまたま、石川九楊の『説き語り 中国書史』の隷書の章を読んでいたら、代表的な隷書として写真付きで紹介されていた拓本の多くが、この企画展で展示されていた。
このラブホテルに囲まれた、小さな博物館には、もの凄いものたちが、収蔵されている。
2014年7月12日土曜日
TARO OKAMOTO: Image Potentielles (Taro Okaoto Museum)
Is surrounded by woods of Ikuta, Tucked away in the back, Taro Okamoto Museum of Art.
The slowly up a slope, through the wood was recessed, to Toro went up the stairs further, there is the museum.
It is surrounded by nature, such as will be released gradually from city life, approach to this museum, really great.
Potential image and Okamoto Taro - It's exhibition named colleagues, of Paris, but it's a mysterious title. And the word "potential", the word "fellow" is a mismatch feel anything.
Among the works that were on display, was drawn to the first, prints collection of artists who have joined the (abstract and creativity) Abstraction - Creation.
Those of the author was still alive at the time of 1973, and reprinted the work of 30 people, was published as a collection of prints.
Abstraction - Creation. timing of Taro Okamoto was staying in Paris, artist organizations had joined up in 1936 - 1932.
Alp, Calder, Kandinsky, Mohoi = Nagy, such as Mondrian, lined.
Of course, there is also a work of Okamoto Taro us.
Works "abstract", is a basic policy of the organization because there are many, by all means, work with a focus on graphic and simple straight line in many cases.
Among them, it was possible, each, have to demonstrate its own personality, while comparing it, and have a good time.
Work of Taro Okamoto drew in Paris era, was published as a book of paintings in 1937, was lost by the air raid of the Second World War all.
Corner which reproduced on the basis of such as photographs of the time, the work of them was interesting.
The work of some, Taro Okamoto himself, that was re-created after the war.
Work is said to have been evaluated in Breton, in the renowned "Itamashiki arm", was also work in 1936 is original, but the work that remains today, one that is re-created in 1949.
In addition, for the print works of Dali, work consists of 10 points, and yellow love, was interesting.
On a white background, with two colors of black and gold, image genitals of men and women, such as skeleton have been expressed in scandalous like a Dali.
The slowly up a slope, through the wood was recessed, to Toro went up the stairs further, there is the museum.
It is surrounded by nature, such as will be released gradually from city life, approach to this museum, really great.
Potential image and Okamoto Taro - It's exhibition named colleagues, of Paris, but it's a mysterious title. And the word "potential", the word "fellow" is a mismatch feel anything.
Among the works that were on display, was drawn to the first, prints collection of artists who have joined the (abstract and creativity) Abstraction - Creation.
Those of the author was still alive at the time of 1973, and reprinted the work of 30 people, was published as a collection of prints.
Abstraction - Creation. timing of Taro Okamoto was staying in Paris, artist organizations had joined up in 1936 - 1932.
Alp, Calder, Kandinsky, Mohoi = Nagy, such as Mondrian, lined.
Of course, there is also a work of Okamoto Taro us.
Works "abstract", is a basic policy of the organization because there are many, by all means, work with a focus on graphic and simple straight line in many cases.
Among them, it was possible, each, have to demonstrate its own personality, while comparing it, and have a good time.
Work of Taro Okamoto drew in Paris era, was published as a book of paintings in 1937, was lost by the air raid of the Second World War all.
Corner which reproduced on the basis of such as photographs of the time, the work of them was interesting.
The work of some, Taro Okamoto himself, that was re-created after the war.
Work is said to have been evaluated in Breton, in the renowned "Itamashiki arm", was also work in 1936 is original, but the work that remains today, one that is re-created in 1949.
In addition, for the print works of Dali, work consists of 10 points, and yellow love, was interesting.
On a white background, with two colors of black and gold, image genitals of men and women, such as skeleton have been expressed in scandalous like a Dali.
岡本太郎と潜在的イメージ パリの仲間たち（岡本太郎美術館）
生田の森に囲まれて、その奥にひっそりと佇む、岡本太郎美術館。
坂道をゆっくり上り、奥まった森を抜けて、階段をさらに上がったとろに、その美術館はある。
自然に囲まれて、都会の生活から徐々に解放されていくような、この美術館へのアプローチは、実に素晴らしい。
展示されていた作品の中で、一番目を引かれたのは、アプストクラシオン・クレアシオン（抽象・創造）に加入した作家たちの版画集。
1973年の時点で存命中だった作家のうち、30人の作品を復刻して、版画集として出版したもの。
アプストクラシオン・クレアシオンとは、岡本太郎がパリに滞在していた時期、1932年〜1936年まで加入していた芸術家団体。
アルプ、カルダー、カンディンスキー、モホイ＝ナジ、モンドリアン、などの名前が並ぶ。
勿論、我らが岡本太郎の作品もある。
団体の基本的な方針である、”抽象的”な作品が多いので、どうしても、シンプルな直線や図形を中心にした作品が多い。
その中でも、それぞれが、独自の個性を発揮していて、それを見比べながら、楽しい時間を過ごすことが出来た。
岡本太郎がパリ時代に描き、1937年に画集として出版された作品は、すべて第2次世界大戦の空襲により失われてしまった。
それらの作品を、当時の写真などをもとに再現したコーナーも興味深かった。
いくつかの作品は、岡本太郎本人が、戦後に再作成したという。
ブルトンに評価されたと言われている、有名な”痛ましき腕”、という作品も、オリジナルは1936年に作品されたが、現在残っている作品は、1949年に再作成されたもの。
その他では、ダリの版画作品で、10点から構成される、黄色い恋、という作品が面白かった。
白地に、黒と金の2色で、男性や女性の性器、骸骨などのイメージが、ダリらしくスキャンダラスに表現されている。
Will Happiness Find Me? (Tokyo Opera City Art Gallery)
Will Happiness Find Me?
Of a mysterious name, exhibition at the Tokyo Opera City Art Gallery.
And living in Okayama, exhibition of work collection of Mr. Ishikawa.
Upon entering the venue, from one man, visitors are asked to name. Then, the man, in a loud voice, I me screaming its name.
Feel anything embarrassing.
Obscurity, to enter the venue of the exhibition, the author to appreciate the clear work normally. Idea, let people know you are in the venue, the name of the side to watch is unique.
This is also, it is genuine art work called "name answer" by Pierre Huyghe.
Large eyeball, stare back at visitors it is detected by the sensor, "Magnus Opus (masterpiece)" Ryan Gander work.
The Huyghe, series work adorned the frame work and personal belongings, and print the text of their surrounding it, "the logic of the production work of my hunt down myself" that was also on display.
Yang is Vau, artist who was born in Vietnam, and went into exile in Denmark.
Exhibition was placed in frame involved in the Vietnam War, a letter of the President of the United States, such as Johnson and Kennedy. Other, chair of the cabinet room of the Kennedy administration, such as the chandelier had been placed.
As opposed to produce works that appeal to something, to evidence itself historic, thereby told the story.
Of a mysterious name, exhibition at the Tokyo Opera City Art Gallery.
And living in Okayama, exhibition of work collection of Mr. Ishikawa.
Upon entering the venue, from one man, visitors are asked to name. Then, the man, in a loud voice, I me screaming its name.
Feel anything embarrassing.
Obscurity, to enter the venue of the exhibition, the author to appreciate the clear work normally. Idea, let people know you are in the venue, the name of the side to watch is unique.
This is also, it is genuine art work called "name answer" by Pierre Huyghe.
Large eyeball, stare back at visitors it is detected by the sensor, "Magnus Opus (masterpiece)" Ryan Gander work.
The Huyghe, series work adorned the frame work and personal belongings, and print the text of their surrounding it, "the logic of the production work of my hunt down myself" that was also on display.
Yang is Vau, artist who was born in Vietnam, and went into exile in Denmark.
Exhibition was placed in frame involved in the Vietnam War, a letter of the President of the United States, such as Johnson and Kennedy. Other, chair of the cabinet room of the Kennedy administration, such as the chandelier had been placed.
As opposed to produce works that appeal to something, to evidence itself historic, thereby told the story.
幸福はぼくを見つけてくれるかな？（東京オペラシティー・アートギャラリー）
幸福はぼくを見つけてくれるかな？
何とも不思議な名前の、東京オペラシティー・アートギャラリーでの展覧会。
岡山に在住する、石川氏のコレクション作品の展示。
会場に入る際に、来場者は、一人の男性から、名前を尋ねられる。すると、その男性が、大きな声で、その名前を叫んでくれる。
何とも気恥ずかしい感じ。
通常は無名のまま、展覧会の会場に入り、作者が明快な作品を鑑賞する。その鑑賞する側の名前を、会場にいる人々に知らせる、という発想がユニーク。
これも、ピエール・ユイグによる”ネーム・アンサー”というれっきとしたアート作品だ。
大きな目玉が、センサーで検知した来場者を見つめ返す、ライアン・ガンダーの”マグナス・オパス（最高傑作）”作品。
ユイグは、身の回りの作品と、それにまつわる自分の文章のプリントを額縁に飾った、”私の作品制作の論理が私自身を追い詰める”というシリーズ作品も展示されていた。
ヤン・ヴォーは、ベトナムに生まれ、デンマークに亡命したアーティスト。
ベトナム戦争に関わる、ケネディやジョンソンなどのアメリカの大統領の書簡を額縁に入れて展示。他にも、ケネディ政権の閣議室のイス、シャンデリアなどが置かれていた。
何かを訴える作品を制作するのではなく、歴史的な物証自身に、物語を語らせている。
何とも不思議な名前の、東京オペラシティー・アートギャラリーでの展覧会。
岡山に在住する、石川氏のコレクション作品の展示。
会場に入る際に、来場者は、一人の男性から、名前を尋ねられる。すると、その男性が、大きな声で、その名前を叫んでくれる。
何とも気恥ずかしい感じ。
通常は無名のまま、展覧会の会場に入り、作者が明快な作品を鑑賞する。その鑑賞する側の名前を、会場にいる人々に知らせる、という発想がユニーク。
これも、ピエール・ユイグによる”ネーム・アンサー”というれっきとしたアート作品だ。
大きな目玉が、センサーで検知した来場者を見つめ返す、ライアン・ガンダーの”マグナス・オパス（最高傑作）”作品。
ユイグは、身の回りの作品と、それにまつわる自分の文章のプリントを額縁に飾った、”私の作品制作の論理が私自身を追い詰める”というシリーズ作品も展示されていた。
ヤン・ヴォーは、ベトナムに生まれ、デンマークに亡命したアーティスト。
ベトナム戦争に関わる、ケネディやジョンソンなどのアメリカの大統領の書簡を額縁に入れて展示。他にも、ケネディ政権の閣議室のイス、シャンデリアなどが置かれていた。
何かを訴える作品を制作するのではなく、歴史的な物証自身に、物語を語らせている。
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